Sunday, March 17, 2019
Henry James And the Art Of Fiction :: essays research papers
The only reason for the existence of a apologue is that it does attempt to represent life. Stated Henry crowd in The artwork of Fiction scalawag 437. I agree with Mr. James that feelings and ambitions formed in characters do represent life. The idea of characters and how real they should is represented in page 440.Characters, in my opinion, form the fable itself. It is the characters and incidents corresponding in a novel, which subscribe to a good one. in that location argon two kinds of characters the round character, and the savorless character. The round one has contradictions and develops with the progress of the novel. The flat character does not depart if it is good then that is the way it leave alone stay, or if it is bad it will also stay as it is with no progress in it. There are as well minor characters, which are there to do the novel to develop, and play incidents more reasonable. Characters form actions, in my opinion, and actions form the incidents of a no vel.In page 438, Mr. James stated that the action of men is the job of writers. It is not only important to show characters feelings, but also to believe them in action. A novel I would refer to that may sterilize to be the opposite of that statement would be To the Lighthouse by Virginia Woolf. The novel does not have much action, but shows a lot of national thoughts and feelings of the characters. The time passes by slowly at the beginning of the novel, which may make you feel dull. The story still is a genius one. These form of novels are called the stream of consciousness, and its form goes by hearing characters thoughts and their inner emotions. Mr. James prefers, as I interpret, that a novel should have characters combined with the actions they go through. I agree with him, since I find much pleasure in reading such works of fiction. That is of course my ingest taste, and not my own opinion, since an opinion should be objective.In conclusion, life arse be seen in charact ers, which are in action. Also in corresponding of incidents that can be thought to be logical. If any work of fiction has logical events, and can be taken to be true, then it is a successful one. every novel does not have to be only a re-create of real life.
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