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look for the presentation of Heathcliffs EssayExplore the presentation of Heathcliffs journey in Wuthering heights, in the light of the Marxist Perspective. In Wuthering Heights, Bronti shows Marxist views that it is not the consciousness of men that determines their existence, but their social existence that determines their consciousness. Bront? send-off published her textual matter in the form of a clean in 1847.During this time England was influenced by Marxs ideas, socialists in England held a group word in London where they formed a new organisation called the Communist League, the aims of the organisation being to override the old bourgeois family based on class antagonisms and to the establish a new hostelry without classes and without private property. Despite England being influenced by Marx ideas at the time, Bront?created Wuthering Heights a mix genre novel with themes such as domestic realism, tragedy and gothic love, which were very much open to critic and discussion at the time. This shows the extent to how she was much stipulated in her ideas and accordingly Wuthering Heights might not have been influenced by the Marxist ideas at the time. When Heathcliff enters in chapter four with no social or domestic precondition, emphasised by his gibberish that nobody could understand suggesting his lack of social skills and ability to communicate his lingual acquisition depends on his surroundings.Miles notes how rather than a dual function there is an oscillation resulting in the name never satisfactorily serving him either management, when he enters his name serves him as both his Christian name and surname flat setting him as an outsider and determining his role because he does not embody conventions of society. Victorian lodge was organised such that the base of the society determines its superstructure, everything associated with stopping point education, law, religion and the arts but because Heathcliff is not an Earnshaw his sta tus means he cannot access this cultural deliverance and he is ultimately rejected.His name therefore presents his softness to gain access and the extent of his exclusion, as Miles notes is a constant reminder of the unsatisfactory fit surrounded by himself and the codes of a society denying him incorporation. It is his status and his social existence that therefore does determine his consciousness. Bronti creates suggested possibilities that cannot ultimately be realised when Heathcliff first enters he is referred to as landlord, yet is not given the opportunity to become an Earnshaw.Also, as gibibyte and Gubar note smashing Catherines rival-brothers fiddle and making a desirable third among the children in the family so as to insulate her from the pressure of her brothers domination, this shows the possibilities that Heathcliff might have been able to integrate into the Earnshaws and therefore society in beat becoming Catherines chance for freedom from morose social structu re, but because of the base structure of the Victorian companionship he is rejected.Perhaps the smashing quote from Gilbert and Gubar refers to the three thrashings Heathcliff had to endure, foreshadowing the idea that the only counselling he can become part of Victorian Society is in a destructive way. The first reason why possibilities cannot be realised is that Heathcliff is learning his social position Mr Earnshaw calls him poor, fatherless child, Heathcliff is constantly make to perceive himself as poor, these social circumstances determine why Heathcliff is empowerd into the servant quarters and therefore kept separate from social events by Hindley, who is in power after Mr Earnshaw dies.Heathcliffs access to the superstructure of Victorian society becomes limited, and even though Heathcliff bore his degradation well this heightens his perception of himself as someone in fate of charity, making him susceptible to charity or abuse. Perhaps the possibilities might have been realised if Catherine hadnt accessed Thrushcross Grange a place carpeted with crimsonpure white ceiling bordered with gold, suggesting Thrushcross Granges wealth, status and a place that epitomises nobility and reflecting the Victorian connection of wealth and heaven. When Catherine is taken to Trushcross Grange she is introduced to a new social status, where she has combed her beautiful pilus and pair of enormous slippers, we see how her consciousness has now changed as she has been introduced to Victorian Societies superstructure.It is only until this integration into the Heights that Catherine realises Heathcliff is not adequate for her. She is enabled access to the Heights because of her name and its association with economic position. Heathcliff is a gypsy and by putting up the shutters, curtains half closed while Heathcliffs looking through the window panes shows how the barriers symbolise Brontipresenting the strict Victorian Society which denies Heathcliffs access to cultur e and education. Trushcross Grange becomes somewhat of a Victorian societys ideal, a materialistic ideal. Catherines sensory faculty of her social existence results in her new perception that she cannot marry Heathcliff because if Heathcliff and I married, we should be beggars Even though he is her authentic love and she hints at Heathcliff and her being inseparable she does not follow through.She has already chosen to marry Edgar and so the novel can be read from a Marxist perspective as Catherines outlook in marrying Edgar is materialist as she thinks about social reasons and survival, as opposed to the idealistic perspective. Bronti shows how Catherine is affected my material circumstances reflected when she says she will be queen of the neighbourhood and does not chose Heathcliff, who can be seen as a symbol of her freedom.However, it can be argued that she never has a choice between the two as the way she is set to think is largely conditioned by the way the economy is organ ised. Bront? presents through the novel how this economy determines the superstructure and therefore even though Heathcliff stands for Catherines freedom it is Victorian societys mentality that means people remain vile of Heathcliffs potential goodness, who is instead driven away because he does not have the capital (money) or culture (education) to support her.So, Catherine probably is right in saying they would be beggars. It is their social circumstances that have hardened much of their life and results in Heathcliff running off. Bront? creates this gap in the novel where we are unaware of Heathcliffs piazza which effectively creates a sense of mystery around Heathliff and and forms tension until his return, even if it be full of vengeance.